#Eddie money nothing to lose full#
#Eddie money nothing to lose plus#

Fuse melds elegantly careworn reflections on mortality, Sunday clubbing, lost lives and the bitter divisions in public discourse with music inspired by dubstep, post-dubstep, lo-fi house and garage. Not just an entirely unexpected return after 24 years – a return to peak form that doesn’t simply seek to warm over past glories, but moves forward, reflecting the changes in dance music since Tracey Thorn and Ben Watt last made an album together. Better still, the concept here was: “What would Aphex Twin do with a chamber ensemble and a church organ?” LS Everything But the Girl – Fuse (I only came to love it more when I learned that it was a concept album about “a retired dentist who wrote elegant minimalist jazz circa 1970”.) Where that album was breezy and balmy, the follow-up is powerfully sad, with deep woodwinds leading furrowed, circular melodies – not a million miles from a much darker take on Alabaster DePlume’s breakout album To Cy & Lee. Photograph: Pat Martin Brendan Eder Ensemble – TherapyĮder is a Los Angeles-based jazz composer and film scorer (including for Ari Aster) whose last album, Cape Cod Cottage, I discovered purely on the basis of the lovely painting on its cover.

Laura SnapesĬaptivating smoothie … Eddie Chacon.

#Eddie money nothing to lose full#

And those flute solos … Read the full review. However close the focus, it’s never less than captivating. Sometimes it saunters (Comes and Goes), sometimes it struts (Holy Hell, with its killer drums), sometimes it skews spiritual (The Morning Sun). BBT Eddie Chacon – SundownĪn uplifting musical renaissance continues: after 2020’s Pleasure, Joy and Happiness rescued the Would I Lie to You smoothie from the annals of one-hit wonders, Sundown refined that album’s sultry R&B into an even more spectral proposition.

#Eddie money nothing to lose plus#

And there are dark moments of self-doubt, such as the fantastical 10-minute piano ballad Turbines/Pigs, plus references to their back catalogue and themselves: “BCNR, friends for ever!” It’s more musical theatre than indie rock, done by a troupe with no comparison in their scene. There are softboi romances and a multi-part story about woodland creatures, but, hearteningly, the band sell the whimsy without a shred of irony. Live albums can feel like addendums for fans only, but this one has drama and heft: the sound of a band regrouping around a completely new set of songs after their frontman quit. Black Country, New Road – Live at Bush Hall